Human thoughts and imaginings written down are pale and feeble in bright summer light. The eye wanders away, and rests more lovingly on greensward and green lime leaves. The mind wanders yet deeper and farther into the dreamy mystery of the azure sky. . . The delicacy and beauty of thought or feeling is so extreme that it cannot be inked in; it is like the green and blue of field and sky, of veronica flower and grass blade, which in their own existence throw light and beauty on each other, but in artificial colours repel . . . Never yet have I been able to write what I felt about the sunlight only. Colour and form and light are as magic to me. It is a trance. It requires a language of ideas to convey it. It is ten years since I last reclined on that grass plot, and yet I have been writing of it as if it was yesterday, and every blade of grass is as visible and real to me now as then.— 'The Life of the Fields': Meadow Thoughts.
There is something beyond the philosophies in the light, in the grass-blades, the leaf, the grasshopper, the sparrow on the wall. Some day the great and beautiful thought which hovers on the confines of the mind will at last alight. In that is hope, the whole sky is full of abounding hope. Something beyond the books, that is consolation.—'The Life of the Fields': Meadow Thoughts.
Nature flings treasures abroad, puffs them with open lips along on every breeze, piles up lavish layers of them in the free open air, packs countless numbers together in the needles of a fir-tree. Prodigality and superfluity are stamped on everything she does. The ear of wheat returns a hundredfold the grain from which it grew. The surface of the earth offers to us far more than we can consume—the grains, the seeds, the fruits, the animals, the abounding products are beyond the power of all the human race to devour. They can, too, be multiplied a thousandfold. There is no natural lack. Whenever there is lack among us it is from artificial causes, which intelligence should remove. From the littleness, and meanness, and niggardliness forced upon us by circumstances, what a relief to turn aside to the exceeding plenty of Nature! There are no bounds to it, there is no comparison to parallel it, so great is this generosity. — 'The Life of the Fields': Meadow Thoughts.
Alone in the green-roofed cave, alone with the sunlight and the pure water, there was a sense of something more than these. The water was more to me than water, and the sun than sun. The gleaming rays on the water in my palm held me for a moment, the touch of the water gave me something from itself. A moment, and the gleam was gone, the water flowing away, but I had had them. Beside the physical water and physical light I had received from them their beauty; they had communicated to me this silent mystery. The pure and beautiful water, the pure, clear, and beautiful light, each had given me something of their truth.—'The Life of the Fields': Meadow Thoughts.
If the air at the sea beach is good, that of the hills above the sea is at least twice as good, and twice as strengthening;. It possesses all the virtue of the sea air without the moisture which ultimately loosens the joints, and seems to penetrate to the very nerves. Those who desire air and quick recovery should go to the hills, where the wind has a scent of the sunbeams.—' The Life of the Fields': Clematis Lane.
The lost leaves measure our years; they are gone as the days are gone, and the bare branches silently speak of a new year, slowly advancing to its buds, its foliage, and fruit. . . . With their annual loss of leaves, and renewal, oak and elm and ash and beech seem to stand by us and to share our thoughts.—' The Life of the Fields': January in the Sussex Woods.
The sweet grass was wet with dew as I walked through a meadow in Somerset to the river. The cuckoo sang, the pleasanter perhaps because his brief tune was nearly over, and all pleasant things seem to have a deeper note as they draw towards an end. Dew and sweet green grass were the more beautiful because of the knowledge that the high hills around were covered by sun-dried, wiry heather. Riverside mead, dew-laden grass, and sparkling stream were like an oasis in the dry desert. They refreshed the heart to look upon as water refreshes the weary.—'The Life of the Fields ': The Water-Colley.
It is the birds and other creatures peculiar to the water that render fly-fishing so pleasant; were they all destroyed, and nothing left but the mere fish, one might as well stand and fish in a stone cattle-trough. I hope all true lovers of sport will assist in preserving1 rather than in killing them. — 'The Life of the Fields': The Water-Colley.
In the bunches of grass and by the gateways the germander speedwell looks like tiny specks of blue stolen, like Prometheus' fire, from the summer sky.—'The Life of the Fields': Notes on Landscape Painting.
Without hedges England would not be England. Hedges, thick and high, and full of flowers, birds, and living creatures, of shade and flecks of sunshine dancing up and down the bark of the trees—I love their very thorns. You do not know how much there is in the hedges. We have still the woods, with here and there a forest, the beauty of the hills, and the charm of winding brooks. I never see roads, or horses, men, or anything when I get beside a brook. There is the grass, and the wheat, the clouds, the delicious sky, and the wind, and the sunlight which falls on the heart like a song. It is the same, the very same, only I think it is brighter and more lovely now than it was twenty years ago.—'The Life of the Fields': Notes on Landscape Painting.
A slumberous silence of abundant light, of the full summer day, of the high flood of summer hours whose tide can rise no higher. A time to linger and dream under the beautiful breast of heaven, heaven brooding and descending in pure light upon man’s handiwork. If the light shall thus come in, and of its mere loveliness overcome every aspect of dreariness, why shall not the light of thought and hope—the light of the soul —overcome and sweep away the dust of our lives?—'The Life of the Fields': Sunlight in a London Square.
An endless succession of labour, under the brightness of summer, under the gloom of winter; to my thought it is a sadness even in the colour and light and glow of this hour of sun, this ceaseless labour, repeating the furrow, reiterating the blow, the same furrow, the same stroke—shall we never know how to lighten it, how to live with the flowers, the swallows, the sweet delicious shade, and the murmur of the stream? . . . I hope that at some time, by dint of bolder thought and freer action, the world shall see a race able to enjoy it without stint, a race able to enjoy the flowers with which the physical world is strewn, the colours of the garden of life. To look backwards with the swallow there is sadness today, with the fleck of cloud there is unrest, but forward with the broad sunlight, there is hope.—'The Life of the Fields': Sunlight in a London Square.
It is a common effect of great things to be overlooked. A moderately large rock, a moderately large house, is understood and mentally put down, as it were, at a certain figure, but the immense—which is beyond the human—cannot enter the organs of the senses. The portals of the senses are not wide enough to receive it; you must turn your back on it and reflect, and add a little piece of it to another little piece, and so build up your understanding.—'The Life of the Fields'; Venice in the East End.
We labour on and think, and carve our idols, and the pen never ceases from its labour; but the lapse of the centuries has left us in the same place. The doves who have not laboured nor travailed in thought possess the sunlight. Is not theirs the preferable portion?—‘The Life of the Fields': The Pigeons at the British Museum.
If any imagine they shall find thought in many books, certainly they will be disappointed. Thought dwells by the stream and sea, by the hill and in the woodland, in the sunlight and free wind, where the wild dove haunts. — ' The Life of the Fields': The Pigeons at the British Museum.
Those original grains of true thought were found beside the stream, the sea, in the sunlight, at the shady verge of woods. Let us leave this beating and turning over of empty straw; let us return to the stream and the hills; let us ponder by night in view of the stars.—'The Life of the Fields': The Pigeons at the British Museum.
Since the days of ancient Greece the doves have remained in the sunshine; we who have laboured have found nothing. In the sunshine, by the shady verge of woods, by the sweet waters where the wild dove sips, there alone will thought be found.—' The Life of the Fields': The Pigeons at the British Museum.
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